Analysis of Act 5 in Othello :: Othello essays

Analysis of Act 5 in Othello      Ã‚  Ã‚  Ã‚  Ã‚   Iago's intelligence causes the self destruction of Othello.   He appears to be the most intelligent person in the play, Othello, by the way he acts and handles some situations.   Iago is set to plan revenge on Othello for not making him lieutenant.   He gains the trust of Othello by telling lies to him, and these lies cause the destruction of Othello.      Ã‚  Ã‚  Ã‚  Ã‚   Othello should have investigated on some of the outrageous things Iago has told him.   Iago is simply just trying to gain Othello's trust.   This is shown when Iago talks about killing Roderigo because he was saying bad things about Othello.   "Nine or ten times I had thought t' have yerked him here under the ribs." (1:2, 4-6).   The same thing happens again, this time about Cassio. "With her - on her - what you will."   (4:1, 42).   Iago tells Othello about Cassio sleeping with Desdemona.   This appears to be Iago's smartest move because this causes the death of Desdemona and Cassio.   This part also appears important to Iago because he is finally made lieutenant.      Ã‚  Ã‚  Ã‚  Ã‚   Othello changes dramatically when he hears all these lies from Iago. He is now less patient.   He hurries through many decisions to be made.   Such as the one to kill his wife.   He also jumps to conclusions too quickly.   This is shown when Iago and Bianca are talking about Cassio and Othello misinterprets them talking about Desdemona.   "Ay, let her rot and perish and be damned tonight, for she shall not live."   (4:1, 200-201.   Othello is planning Desdemona's death.   He appears to be very stressed out, by the way he acts and

The Return: Nightfall Chapter 5

Damon was driving aimlessly when he saw the girl. She was alone, walking down the side of the street, her titian hair blowing in the wind, her arms weighted down by packages. Damon immediately did the chivalrous thing. He let the car glide to a stop, waited for the girl to take a few striding paces to catch up with him – che gambe! – and then jumped out and hastened to open the passenger side door for her. Her name, as it turned out, was Damaris. In moments the Ferrari was back on the road, going so fast that Damaris's titian hair was flowing behind her like a banner. She was a young woman who fully merited the kind of trance-inducing compliments he'd been handing out freely all day – which was a good thing, he thought laconically, because his imagination was very nearly drained dry. But flattering this lovely creature, with her nimbus of red-gold hair and her pure, milky skin, wouldn't take any imagination at all. He didn't expect any trouble from her, and he planned to keep her overnight. Veni, vidi, vici,Damon thought, and flashed a wicked smile into the middle distance. And then he amended – Well, perhaps I haven't conqueredyet , but I'd bet my Ferrari on it. They stopped by a â€Å"scenic view roundabout† and when Damaris had dropped her purse and bent to pick it up, he'd seen the nape of her neck, where those fine titian hairs were startlingly delicate against the whiteness of her skin. He'd kissed it immediately, impulsively, finding it as soft as a baby's skin – and warm against his lips. He'd allowed her complete freedom of action, interested to see whether she would slap him, but instead she had just straightened up and taken a few shaky breaths before allowing him to take her in his arms to be kissed into a trembling, heated, uncertain creature, her dark blue eyes entreating and trying to resist at the same time. â€Å"I – shouldn't have let you do that. I won't let you again. I want to go home now.† Damon smiled. His Ferrari was safe. Her ultimate yielding would be particularly pleasant, he thought as they continued their drive. If she shaped up as well as she seemed to be doing, he might even keep her a few days, might even Change her. Now, though, he was bothered by an inexplicable disquiet inside. It was Elena, of course. Being so close to her at the boardinghouse and not daring to demand to go to her, because of what he might do. Oh, hell, what Ishould have done already, he thought with a sudden vehemence. Stefan was right – there was something wrong with him today. He was frustrated to a degree that he wouldn't have imagined possible. What heshould have done was to have ground his little brother's face in the dirt, wrung his neck like a fowl, and then gone up those narrow tacky stairs totake Elena, willing or no. He hadn't done it before because of some syrupy nonsense, caring about her screaming and carrying on as he lifted that incomparable chin and buried his swollen, aching fangs in her lily-white throat. There was a noise going on in the car. † – don't you think?† Damaris was saying. Annoyed and too busy with his fantasy to go over what his mind might have heard of her speech, he shut her off, and she was instantly quiet. Damaris was lovely butuna stomata – a ditz. Now she sat with her titian hair whipping in the wind, but with blank eyes, the pupils contracted, absolutely still. And all for nothing. Damon made a hissing sound of exasperation. He couldn't get back into his daydream; even in silence, the imagined sounds of Elena's sobbing prevented him. But there would be no more sobbing once he'd made her into a vampire, a little voice in his mind suggested. Damon cocked his head and leaned back, three fingers on the steering wheel. He'd once sought to make her his princess of darkness – why not again? She would belong to him utterly, and if he had to give up her mortal blood†¦well, he wasn't exactly getting any of that right now, was he? the insinuating voice said. Elena, pale and glowing with a vampire's aura of Power, her hair almost white-blond, a black gown against her satiny skin. Now there was a picture to make any vampire's heart beat faster. He wanted her more than ever now that she had been a spirit. Even as a vampire she would retain most of her own nature, and he could just picture it: her light for his darkness, her soft whiteness in his hard, black-jacketed arms. He would stop that exquisite mouth with kisses, smother her with them – What was hethinking about? Vampires didn't kiss like that for enjoyment – especially not other vampires. The blood, the hunt was all. Kissing beyond whatever was necessary to conquer their victim was pointless; it could lead nowhere. Only sentimental idiots like his brother bothered with such foolishness. A mated vampire pair might share the blood of a mortal victim, both striking at once, both controlling the victim's mind – and joined together in mind-link, too. That was how they found their pleasure. Still, Damon found himself excited by the idea of kissing Elena, of forcing kisses on her, of feeling her desperation to get away from him suddenly pause – with the little hesitation that came just before response, before yielding herself completely to him. Maybe I'm going crazy, Damon thought, intrigued. He had never gone crazy before that he could recall, and there was some appeal in the idea. It had been centuries since he'd felt this kind of excitement. All the better for you, Damaris, he thought. He had reached the point where Sycamore Street cut briefly into the Old Wood, and the road there was winding and dangerous. Regardless, he found himself turning to Damaris to wake her again, noting with approval that her lips were naturally that soft cherry color, without lipstick. He kissed her lightly, then waited to gauge her response. Pleasure. He could see her mind go soft and rosy with it. He glanced at the road ahead and then tried it again, this time holding the kiss. He was elated with her response, with both of their responses. This was amazing. It must have to do with the amount of blood he'd had, more than ever before in one day, or the combination – He suddenly had to wrench his attention from Damaris to driving. Some small russet animal had appeared as if by magic on the road in front of him. Damon normally didn't go out of his way to run over rabbits, porcupines, and the like, but this one had annoyed him at a crucial moment. He grasped the steering wheel with both hands, his eyes black and cold as glacial ice in the depths of a cave, and headed straight for the russet thing. Not allthat small – there would be a bit of a bump. â€Å"Hang on,† he murmured to Damaris. At the last instant, the reddish thing dodged. Damon wrenched the wheel round to follow it, and then found himself faced with a ditch. Only the superhuman reflexes of a vampire – and the finely tuned response of a very expensive vehicle – could have kept them out of the ditch. Fortunately Damon had both, swinging them in a tight circle, tires squealing and smoking in protest. And no bump. Damon leaped over the car door in one fluid motion and looked around. But whatever it was, had vanished completely, as mysteriously as it had appeared. Sconosciuto. Weird. He wished he wasn't heading into the sun; the bright afternoon light cut down his visual acuity severely. But he'd had a glimpse of the thing as it got close, and it had looked deformed. Pointed at one end and fan-like at the other. Oh, well. He turned back to the car, where Damaris was having hysterics. He wasn't in the mood to coddle anyone, so he simply put her back to sleep. She slumped back into the seat, tears left to dry on her cheeks unheeded. Damon got back into the car feeling frustrated. But he knew now what he wanted to do today. He wanted to find a bar – either seedy and sleazy or immaculate and expensive – and he wanted to find another vampire. With Fell's Church being such a hot spot on the ley-line map, that shouldn't be difficult in the surrounding areas. Vampires and other creatures of darkness were drawn to hot spots like bumblebees to honeysuckle. And then he wanted a fight. It would be completely unfair – Damon was the strongest vampire left that he knew of, plus he was tick-full of a cocktail of the blood of Fell's Church's finest maidens. He didn't care. He felt like taking his frustrations out on something, and – he flashed that inimitable, incandescent smile at nothing – some werewolf or vampire or ghoul was about to meet itsquietus . Maybe more than one, if he were only lucky enough to find them. After which – delicious Damaris for dessert. Life was good, after all. And unlife, thought Damon, his eyes glinting dangerously behind the sunglasses, was even better. He wasn't just going to sit and sulk because he couldn't have Elena immediately. He was going to go out and enjoy himself and get stronger – and then sometime soon, he was going to go over to his pathetic milksop of a younger brother's place andtake her. He happened to glance in the car's rearview mirror for a moment. By some freak of light or inversion of the atmosphere, it seemed that he could see his eyes behind his sunglasses – burning red.

10 Tips for Attracting Butterflies to Your Backyard

Health Effects Of Fast Food - 1207 Words

Health Effects of Fast Food Healthy eating and living are indispensable requirements. The modern world has adopted a system of consumption of foods, which has a lot of adverse effects on health. Every day, life changes so much that people don’t have enough times to think about what is right to eat. Civilization and globalization have affected peoples eating habits and forced many to consume high calorie fast foods, which is known to as junk food. Recently, research into the likely health effects on consumption of these high calorie foods offers an insight to avoid them. Unfortunately, not enough taken action is being to change these consumption habits. Altogether, junk food has emerged as a global problem because more people are consuming it at a larger percent than ever before. Junk food relates to empty calorie food. These are high calorie rich foods that are missing basic nutritional value, which includes minerals, amino acids, vitamins and fiber. These foods do not have the nutrients that the body requires. Thus, these foods that have poor nutritional value are termed unhealthy. In essence, they have adverse effects on consumer’s health. Interestingly, a large part of the population likes junk food because they are tasty, quick, convenient and fashionable. This makes people eat them without planning to do because of the foods great taste and addictive characteristics (Bhaskar, 2012). Sugar and fat are also abundant in these types of foods. These two combine and areShow MoreRelatedFast Food And Its Effect On Our Health1474 Words   |  6 PagesFood is one of the basic needs of human beings; it provides us energy that our body needs to work properly. Not only that, it also provides us a variety of nutrients, vitamins, minerals, carbohydrates, and p roteins that our body asks us daily to keep it in function. As time our alimentation has changed due to the demands of the modern world. 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Essay about Biblical Imagery in the Story of Rapunzel

Biblical Imagery in the Story of Rapunzel Ostensibly, the story of â€Å"Rapunzel† is the tale of a young girl, locked up in a tower by a wicked witch, the real concern of the story, however, being lust and the dangers it represents to girls as they enter the rites of passage of puberty. Symbolism pervades the story of â€Å"Rapunzel†, as in all fairy tales, giving rise to diverse interpretations. While a great deal of the symbolism is commonly found in fairy tales, the Grimm’s infuse the tale of â€Å"Rapunzel† with much from the biblical stories with which their audience would most likely be familiar. In the final version of â€Å"Rapunzel,† the Grimms add a moral message, based primarily on stories taken from the Bible, in order to demonstrate the†¦show more content†¦Within the collection of stories as a whole, the brothers took â€Å"pains to delete every phrase unsuitable for children†¦hoping that their collection could serve as a manual of manners† (Tatar 19). Most significantly, the Grimms â€Å"eliminated erotic and sexual elements†¦added numerous Christian expressions and references, [and] emphasized specific role models for male and female protagonists according to the dominant patriarchal code of that time† (Zipes, Dreams 74). â€Å"Rapunzel† itself is the classic story of a mother’s attempt to protect her young daughter from the dangers she must face in order to successfully navigate the rites of passage of puberty. The Grimms’ version of â€Å"Rapunzel† also presents a strong moral message to young women in order to maintain the patriarchal nature and moral code of 19th century Germany. The question which most Grimms’ tales ask is: â€Å"how can one learn –what must one do to use one’s powers rightly in order to be accepted in society or recreate society in keeping with the norms of the status quo?† (Zipes, Fairy 57). The Grimms’ story of â€Å"Rapunzel† is no different, answering this question by looking to, among other sources, the Bible. Many biblical references pervade the story of â€Å"Rapunzel,† beginning with â€Å"a man and wife [who] long wished in vain for a child† (Hallett 67). Anyone familiarShow MoreRelatedHow To Read Literature Like A Professor Essay1020 Words   |  5 Pageshow to look past the surface of a literary work to find a deeper or hidden meaning. Writers use devices, such as symbolism, imagery, foreshadowing, irony and allusion to reveal these meanings. If these are overlooked, important aspects of the story can be lost. One literary device that Foster emphasizes in his book is allusion. Every story has elements of another story, and Foster devotes Chapters Four through Seven explaining the meaning of allusion in works by Shakespeare, the Bible, and fairyRead MorePoetry by William King, Martyn Lowery, Andrew Marvell, Liz Lochhead, John Cooper Clarke and Elizabeth Jennings10576 Words   |  43 Pagesa free verse dialogue and Rapunzstiltskin also uses free verse to achieve its effects. One Flesh, in contrast is a formal, rhymed meditation. The most obvious poetic technique that these poems have in common is their use of imagery. Love and Sex ============ Surprisingly, perhaps, the most sexually explicit poems in this collection are the two older ones: The Beggar Woman and To His Coy Mistress. Of the modern poems, none of them deal with the

AdahsPoetry Essay Example For Students

AdahsPoetry Essay Then write a short response one or two well- plopped paragraphs for each of the two poems discussing your consideration of the allusion to the poem or the inclusion of the poem in The Opposition Bible. How you wish to discuss the two poems and its connection to the novel is wide open. Im looking for a thoughtful consideration of poems and their inclusion in the novel. Some questions to help you think about them: Why does Kingfisher have the character of Dada mention them? What is their effect? After you read a full poem, instead of Just the lines Dada recites, do you have any new insights about Dada, other harassers, the circumstances of the story, something else? What do you know about Dickinson that might shed some light? What does Dada herself say about Dickinson? About William C. Williams? Type and double-space your responses. Copy and paste the poems with your paragraphs. Be prepared to share and discuss your findings The Red Wheelbarrow p. 170 by William Carols Williams so much depends upon a red wheel barrow glazed with rain water beside the white chickens. Note: Few of Dickinson 1700+ poems have titles. Most are identified by the first line. 2 Emily Dickinson (1830-86). P. 185 Hyssop is the thing with feathers -? That perches in the soul -? And sings the tune without the words -? And never stops -? at all -? And sweetest -? in the Gale -? is heard -? Doodads ay tendency etc And sore must be the storm -? That could abash the little Bird That kept so many warm -? Ive heard it in the chilliest land -? And on the strangest Sea -? Yet, never, in Extremity, It asked a crumb -? of Me. 3 p. 95 is that long Shadow -? Presentiment -? Indicatives that Suns go down -? The Notice to the startled Grass That Darkness -? is about to pass -? 4 p. 365 Because I could not stop for Death, He kindly stopped for me; The carriage held but Just ourselves And Immortality. We slowly drove, he knew no haste, And I had put away My labor, and my leisure too, For his civility. On the Lawn -? We passed the school, where children strove At recess, in the ring; We pas sed the fields of gazing grain, We passed the setting sun. Or rather, they passed us; The dews drew quivering and chill, For only gossamer my gown, My tippet only tulle.

Steven Boldis January 7,1999 Essays - Literature, Literary Realism

Steven Boldis January 7,1999 English 9 Mr. Moratto The Catcher in the Rye In The Catcher in the Rye, Holden views the world as an evil and corrupt place where there is no peace. This perception of the world does not change significantly through the novel. However as the novel progresses, Holden gradually comes to the realization that he is powerless to change this. During the short period of Holden's life covered in this book, Holden does succeed in making us believe that the world is crazy. Shortly after Holden leaves Pencey Prep he checks in to the EdmontHotel. This is where Holden's turmoil begins. Holden spends the following evening in this hotel which was full of perverts and morons. (There were) screwballs all over the place. His situation only deteriorates from this point on as the more he looks around this world, the more depressing life seems. Around every corner Holden sees evil. He looks out on a world, which appears completely immoral. The three days we learn of from the novel place a distressed Holden in the are of Manhattan. The city is decked with decorations and holiday splendor, yet, much to Holden's despair seldom yields any occasions of peace, charity or even genuine merriment. Holden is surrounded by what he views as drunks, perverts, morons and screwballs. These convictions which Holden holds waver very momentarily during only one particular scene in the book. The scene is that with Mr. Antolini. After Mr. Antolini patted Holden on the head while he was sleeping, Holden jumped up and ran out thinking that Mr. Antolini was a pervert as well. This is the only time during the novel where Holden thinks twice about considering someone as a pervert. After reviewing Mr. Antolini, Holden finally concludes that maybe he wasn't making a flirty pass at him. Maybe he just like patting guys heads as they sleep. This is really the only time in the novel where Holden actually considers a positive side. This event does not constitute a significant change. As Holden himself says, It's not too bad when the sun's out, but the sun only comes out when it feels like coming out. The sun of course i s a reference to decency through the common association of light and goodness. His perception of the world remains the same. The one conviction that does change during the novel is Holden's belief that he can change the world. On his date with Sally, Holden reveals his feelings. Did you ever get fed up?... I mean did you ever get scared that everything was going to go lousy unless you did something...Holden goes through several plans. Holden at one point contemplates heading out west where he will pretend to be a deaf-mute and live a quiet life. At another point Holden proposes to Sally to escape this world with him. It is finally to his younger sister Phoebe that Holden reveals his ultimate plan. Although Holden describes the situation in a very picturesque and symbolic manner he essentially tells Phoebe that he wants to prevent children from growing up. He blames the world's corruption on adults and believes that when he stops the children from growing up he will preserve their innocence and save the world. It takes most of the book before Holden begins to realize that he is helpless to stop this corruption. Finally, he realizes that not only is there nothing that he can do, but there is nowhere he can go to hide from it. Holden takes awhile to comprehend these concepts. One good example is when Holden is delivering the note to his sister. He encounters a *censored*-you written on the wall. Holden careful rubs this off with his hand so as to protect the innocent children from reading it. Later on he finds *censored*-you scratched into the surface with a knife. He discovers that he can't efface this one. Even in the timeless peace of the Egyptian tomb room at the museum there is an un-erasable *censored*-you. This incident is the beginning of Holden's realization that his dreams are infeasible. Strangely enough, it is one of the innocent children that he is trying to protect who helps him come to terms with this realization. It is Phoebe who